Know your story, but don’t be tied to it.

my story

I’m currently enrolled in the UCLA TFT Professional Program for Screenwriters (Online) and our third term is devoted to pounding out a complete screenplay in just 10 weeks. Well less actually, since we spent the first two classes on logline, synopsis, and beat sheet.

Everyone in my class is struggling at the halfway point, although probably by design.

The primary issue is this: Lack of preparation.

Most of us have very little idea of where we are headed. We thought out the basics, had an idea of a beginning, middle, and end, but as the process unfolded and we learned more about our characters and story as we wrote, we all find ourselves in the dreaded second act doldrums.

To be quite honest I have never been an outliner.  Throughout my educational experience (and beyond) I have just sat down and written first drafts. Maybe a few times I would do a very simple outline but it was rare.

Writing a screenplay though is much more complex and difficult than anything I have ever undertaken as far a writing goes. I’m learning that a solid outline and plan is important for such complicated projects.  But not in the way I would have thought.

While in the end I doubt my story would be any different had I done a thorough outline, I do believe it would be easier to write. I also know that no matter what my intent was in that outline I would stray from it, perhaps even drastically. That’s O.K. though.

My point is this, use the outlining process (snowplow, index cards, beat sheets, step outlines, etc.) and the results themselves as a guide to push you though the tough times, but be true to the characters and story and let things go where they naturally should. That little voice in your head will be telling you that you are wasting all that work on the outline if you deviate too far but don’t listen to it. Stray. Explore. Create as you go.

I guess that’s a lot like life. Have a plan, be committed, but don’t let that plan get in the way of creating a really good and fulfilling story, that is your life.



Why The Two Cheeks



At an old antique barn-wood kitchen table, Brian (45) unshaven, ragged Polo t-shirt and shorts, drinks a double espresso.  His WIFE (34)  a petite blonde with bright blue eyes, works on her laptop prior to leaving for the day ahead.

Why The Two Cheeks?

Good question.

Choosing the title of this Blog to be a play on the title of the long-awaited sequel to Chinatown was an accident.  I have to be honest.  I thought it was funny and catchy, that’s all.

I never really liked Chinatown that much, and The Two Jakes is about the same for me.  I know, I know, blasphemy for a screenwriter.  Both movies have grown on me though since I started writing.

But then I started to think about it carefully, and the The Two Cheeks seems appropriate for this blog in many ways.

Roger Ebert in his review of The Two Jakes wrote:  “The movie really is about the values that people have, and about the things that mean more to them than life and freedom.”  I like that.

My scripts are very similar.  I write stories about people torn between their values, love, and their past or future.

Heavenly Betrayal: a man whose passion is at odds with his calling, and must choose between his faith, his country, and his love.

Fool’s Heist: a man who risks his friendship and freedom to try and fill a void, one he eventually  learns can only be filled with love.

Vengeance Beloved: a man who lost it all and now must choose between a positive future or revenge for the past, but is blinded by passion.

My movies are about men like Jake Gittes, someone who we can all relate to at some point in our lives.

So that’s one reason I’m keeping the title.  Hope you enjoy the Blog.